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	<title>Comments on: True Creativity</title>
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	<link>http://www.bullartistry.com.au/wp/2012/03/22/true-creativity/</link>
	<description>Theology you can eat and drink</description>
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		<title>By: Mike Bull</title>
		<link>http://www.bullartistry.com.au/wp/2012/03/22/true-creativity/comment-page-1/#comment-21254</link>
		<dc:creator><![CDATA[Mike Bull]]></dc:creator>
		<pubDate>Sat, 10 Nov 2012 03:06:06 +0000</pubDate>
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		<description><![CDATA[Hi Julien
God point. I suppose it&#039;s because the philosophical underpinnings of mass culture are less subtle! However, it would be interesting to hear what he might have to say about it.]]></description>
		<content:encoded><![CDATA[<p>Hi Julien<br />
God point. I suppose it&#8217;s because the philosophical underpinnings of mass culture are less subtle! However, it would be interesting to hear what he might have to say about it.</p>
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		<title>By: Julien Peter Benney</title>
		<link>http://www.bullartistry.com.au/wp/2012/03/22/true-creativity/comment-page-1/#comment-21219</link>
		<dc:creator><![CDATA[Julien Peter Benney]]></dc:creator>
		<pubDate>Wed, 07 Nov 2012 13:06:53 +0000</pubDate>
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		<description><![CDATA[This is an interesting look at the contrast between classical and modern art, and one that reminds me of E. Michael Jones in &lt;b&gt;Dionysus Rising&lt;/b&gt;, a book that is admittedly now dated and which I have always found wanting.

Goldberg seems to do a few things that Jones does not: it is interesting to see how atonal music was played only because of immense philanthropy from the wealthy and how different the view of classical artists is from modern.

However, there is a bog question about his study of modern art: why does Goldberg not focus on more &lt;i&gt;popular&lt;/i&gt; forms of music and how their creators have changed? Logically, one would assume that changes there would have much greater reflection on changes in mass culture. One could especially look at metal and rap artists who seem to want consistently to create something more and more shocking with each new generation, and how these created music that had to be harder and faster and more politically radical and foul-mouthed than before.]]></description>
		<content:encoded><![CDATA[<p>This is an interesting look at the contrast between classical and modern art, and one that reminds me of E. Michael Jones in <b>Dionysus Rising</b>, a book that is admittedly now dated and which I have always found wanting.</p>
<p>Goldberg seems to do a few things that Jones does not: it is interesting to see how atonal music was played only because of immense philanthropy from the wealthy and how different the view of classical artists is from modern.</p>
<p>However, there is a bog question about his study of modern art: why does Goldberg not focus on more <i>popular</i> forms of music and how their creators have changed? Logically, one would assume that changes there would have much greater reflection on changes in mass culture. One could especially look at metal and rap artists who seem to want consistently to create something more and more shocking with each new generation, and how these created music that had to be harder and faster and more politically radical and foul-mouthed than before.</p>
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