Music History

Covenant Theology on a keyboard

The three is a five. The four is a seven. The five is a seven. The seven is a twelve.

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This entry was posted on Saturday, June 2nd, 2012 at 3:23 pmand is filed under . You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.

3 Responses to “Music History”

  • Dave Says:
    June 3rd, 2012 at 6:25 am

    the four is a six?

  • Dave Says:
    June 3rd, 2012 at 6:29 am

    so, have you spotted minor and major chords in scripture? Lamentations must have a lot of minor chords ;-)

  • Mike Bull Says:
    June 3rd, 2012 at 3:16 pm

    And plenty of delayed ‘resolutions.’

    Yes, CDEF is a 6. FGAB is a 7.
    I like the fact that there’s no black note between Ascension and Testing (Christ sends His Spirit to the Body) and between Glorification and Creation (the Spirit-filled Body sends its “horses” to begin the next cycle). So it looks like there are processes within the head and within the body, but no divisions between them.