…all of the Old Covenant sacraments, like the flood, were future tense and testified to the destruction of the flesh.
[A report from our London correspondent, Chris Wooldridge:]
A week ago, I attended two conferences delivered by Peter Leithart on the subject of the Sacraments. The first one was aimed at anyone interested; the second was addressed more to ministers and theological students.
or Sacramental Sorcery and the Seed of Abraham
“O foolish Galatians! Who has bewitched you?”
Having written a (basically word-by-word) commentary on Paul’s epistle to the Galatians, one which demonstrates his use of the biblical pattern of maturity at every point and every level, it amazes me how sacramentalists are not aware that their doctrine makes them the modern targets of Paul’s ire.
My friend Burke Shade recently outlined the structure of Matthew 15:32-29: Continue reading
The Death of Deutero- and Trito-Isaiah
The heart of typology is representation, and representation is the heart of sacrifice.
A great deal of so-called theology seems to me to be a waste of time, breath and ink. Theologians and commentators insist on applying a “lens” to Scripture, or building a case from cherry-picked particulars or accumulations of fragmented data, when the answer to the debated question is staring right back at them. Literary structure should be the first recourse, not the last. When it comes to the Bible, literary structure is the label on the tin.
“A baptism which does not discern between the fruit of the womb and the fruit of the tomb is anti-Christ, denying He has come in the flesh.”
This post follows on from Exposed To The Elements.
An online paedobaptist friend commented that he had never heard sacred architecture offered as an argument for credobaptism before. My experience with the brilliant Bible teaching by the various Federal Vision gents is that I get a principle under my belt, then automatically begin to see its implications for all of Scripture. But then numerous times I would be surprised when no one had thought of applying it consistently. The main offender is paedobaptism. Despite their claims, it is a rite that does not spring naturally from Scripture. In fact, it has to be protected from Scripture, from the very principles I have been taught by paedobaptists.
Alpha and Omega
Since the sacred architecture of the Jew-Gentile social structure set up in Daniel was a spiritual expansion of the previous physical sanctuaries, we should not be surprised to find its shape serving as the foundation for the New Testament. Since the Holy Place symbolised the court of the King of Heaven, the Tabernacle sheds some helpful light on Jesus’ cryptic description of judgment from His throne in Matthew 25. It not only becomes clear why the Lord uses sheep and goats as symbols for Gentile nations, but their locations and destinies bring to an end a narrative thread which can be traced back to Genesis 4.
Getting towards the end of a book on biblical architecture, I am thinking that perhaps the answer to Peter Leithart’s very good question concerning the “missing heart” in Leviticus might be found in the layout of the Tabernacle. He writes:
or Where Kenneth Gentry Is Wrong on the Revelation
Part 1 here.
I’ve been meaning to write this post since I wrote Part 1 (over two years ago). A friend’s recent question concerning Kenneth Gentry’s lectures on the Revelation encouraged me to bite the bullet and bust a gut and get it done. The question is this: Is the Revelation to be interpreted in the light of Josephus’ Jewish War, or in the light of the Bible itself?
or The Time Appointed by the Father
The Bible is a musical book. It plays the same tune over and over again. However, much of modern Bible scholarship refuses to be caught up in the flow, instead limiting its practice to the particulars. Instead of recognising themes and motifs, it boils down to ”Look, there’s another B flat.” The historical-grammatical method is an instrument which refuses to submit to the music for fear it might get carried away.
Peter Leithart follows the tune concerning the meaning of stoicheia. He has not only identified a B flat, but how it is used in the literary composition – its significance in the Covenant tune as it is presented to us by God, and as it plays out in history. I’ll quote his post, and then I will allow the same tune to carry him somewhere he does not want to go.