Bully's Blog

or A Ripsnorter Ritual

Ritual is powerful stuff. Much of modern evangelicalism prides itself in rejecting liturgy and being “open to the Spirit,” and then turns this “openness” into an uninspired (and very uninspiring) human formula, in place of the inspired Divine one. Instead of following a pattern found in every part of the Bible (worship is literary architecture), we are stuck with either erroneous traditions or off-the-cuff rambles which, although “open to inspiration,” somehow sound exactly the same each week. Human beings love repetition in every area of life, and ritual is a prime method of teaching truth and holiness.

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“He said to him, ‘Bring me a heifer three years old, a female goat three years old, a ram three years old, a turtledove, and a young pigeon.’ And he brought him all these, cut them in half, and laid each half over against the other. But he did not cut the birds in half. And when birds of prey came down on the carcasses, Abram drove them away.” (Genesis 15:9-11)

When Abram asked for a sign concerning the Lord’s promise concerning an heir, the Lord carried it out with animals slain and displayed upon the Land. In the Covenant-literary structure of Genesis 15, the animals were slain and laid out at “Pass-over,” and the Lord’s chariot (as a Head and Body) “passed-through” at Atonement, (matching Pass-over” chiastically) picturing Joshua and Israel entering Canaan. (See Pass-over and Pass-through, and compare the charts on pages 93 and 115 of Bible Matrix.)

What is also interesting is the “architecture” of the sacrifice. We do not know which animals were considered “clean” by the Lord in Noah’s time, but the number of sacrificial animals was now limited to five. They correspond to the architecture of the Tabernacle. If we include Abram in his deep sleep (as a “covering”) and the birds of prey representing the curse of the Law, in the following diagram we have the complete “footprint” of the humaniform house made entirely out of birds and beasts.

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Priests and Levites of All Nations

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

In this final post on the structure of Ephesians, we will cover stage 6 (Conquest/Atonement) and stage 7 (Glorification/Booths). (Unfortunately, I can’t refer to them as cycles because there are 8 cycles, as previously discussed.)

A common interpretation of the “armor of God” relies on the assumption that Paul is using the kit of a Roman soldier as a metaphor. This shows how fragmented is our understanding of the Bible, an organic text which is not fragmented at all, and not reliant upon the various contemporary cultures anywhere near as much as we assume. The armor in Ephesians 6 is that of a priest, a priest with a sword, fulfilling his guard duty at the gate of God.

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“And, most heartbreaking, most breathtaking of all, is His willingness to actually become the veil, the flesh that was torn away to reveal the “naked” mind of the Father, the unhidden face of His mission for a bride for His Son.”

“And the Lord was sorry that he had made man on the earth, and it grieved him to his heart.” (Genesis 6:6)

“But concerning that day and hour no one knows, not even the angels of heaven, nor the Son, but the Father only. For as were the days of Noah, so will be the coming of the Son of Man.” (Matthew 24:36-37)

The relationship between the Father and the Son is an eternal to-and-fro. It is this primary “chiasm,” a “there-and-back-again,” a forming and a filling, which gave shape to the Creation Week and every facet of the Word of God and of human life.

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Another chapter from Bible Matrix III:

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An excerpt from Bible Matrix III:

Just as Esau was the line of Cain rolled into one, so Jacob was a true son of God. In fact, being blameless as Noah was, the Lord granted him a vision of the true Gate of God, a tower reaching to heaven.

In Bible Matrix, we mentioned the significance of Jacob’s “ziggurat” vision as it relates to the mountain of God. [1] Jacob was laid out on the ground like Adam. His slumber brings a “Bridal” vision.

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The Most Unholy

Fans of the (rather sick) TV series Twin Peaks have a lot of fun trying to figure out the meaning of the many symbols and clues left by series creator David Lynch. But his apparent originality isn’t that original. His inspiration is the occult. The funny thing is that the occult itself isn’t all that original. It is simply an inversion of many things in the Bible, which is also filled with strange symbols and clues. It is no coincidence that Twin Peaks was the product of a culture that was once soaked in the Bible.

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A design concept for TC.
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or Shekinah People

“The solution here is not, as Calvin believed, to dress the New Covenant’s ethical maturity in the puerile clothing of paedobaptism.”

In The Failure of the American Baptist Culture [PDF], James Jordan, Ray Sutton and others expose the rot at the heart of baptistic theology, which is inherently man-centred. The authors call us from a view of salvation in isolation to a wider vision of the meaning of baptism, which signifies the broader realities of the Covenant of Grace. I learned a great deal about history and Reformed theology, and thoroughly recommend it to you. In my view, however, they don’t go far enough. A call to understand the vital historical connection between circumcision and baptism certainly deals with the errors of the Anabaptists, but when rightly understood, the progressive nature of revelation also exposes the use of paedobaptism as a connection with the Old Covenant as entirely bogus.

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Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Sacred Geometry and Marked Men

Chapters 35-36 bring us to the end of this structural analysis of the book of Numbers. The position of this final cycle is in red.

Overview of Numbers

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