“The Left has now won, and Leftism is an auto-immune disease. It has nothing to do with any of the diseases of paganism. It is completely and wholly a reaction to Christianity.”
“Truly, truly, I say to you, (Transcendence)the Son can do nothing of his own accord, (Hierarchy)but only what he sees the Father doing. (Ethics)For whatever the Father does, (Oath/Sanctions)that the Son does likewise.” (Succession)(John 5:19)
The premise that the entire text of the Bible has a common structure, one which operates at multiple levels, has many implications. Besides the fact that this is clearly a miracle, there is the question of why such a limitation would be placed upon the Words of God.
Bauhaus and the Bible
“What is in the nature of these materials?”
The Bauhaus, founded in Germany in 1919 by architect Walter Gropius, had a profound influence in every area of design, from graphics and typography to clothing, furniture and architecture. It is not so much a style as a method, its philosophy based on the idea that if something is well-designed it will be beautiful of its own accord. The means to this end involved the founding of an art school where every student was also a tradesman, and every tradesman was also an artist. The Bauhaus manifesto expresses Gropius’ desire to unite the trades and the arts that their works might possess the grace of an inseparable marriage of function (design) and form (beauty).
Then they will say to the mountains, “Fall on us!”
and to the hills, “Cover us!” (Luke 23:30)
What we see
and what we seem
are but a dream…
a dream within a dream.
These lines by Edgar Allan Poe, slightly reshaped, are the first spoken words in the classic Australian film, Peter Weir’s Picnic At Hanging Rock (1975). Based on a novel by the enigmatic Joan Lindsay, it is an experience that clings to you, not merely because it is so carefully and beautifully made, but also because it is a film with secret blades: it is a mystery without a solution, a horror story without savagery, a nightmare in which all the watches stop at noonday.
On Saturday 14th February 1900, a party of schoolgirls from Appleyard College picnicked at Hanging Rock near Mount Macedon in the state of Victoria. During the afternoon several members of the party disappeared without trace…
(Spoilers follow, but feel free to read on…)
“Things ain’t cookin’ in my kitchen
Strange affliction wash over me
Julius Caesar and the Roman Empire
Couldn’t conquer the blue sky…” 
Today, the Australian government’s carbon tax repeal bills cleared Parliament’s lower house. They will be voted upon in the Senate next year. To see this reported as an act of climate vandalism by the media isn’t a surprise. What is surprising is the consternation of many Christians.
“The serious magical endeavour and the serious scientific endeavour are twins: one was sickly and died, the other strong and throve. But they were twins. They were born of the same impulse.”
The Dangerous Trajectory of Those Who Seek to Be Gods
An excerpt from Joe Rigney’s new book, Live Like a Narnian: Christian Discipleship in
Reading Lewis today, it’s easy to believe that he was a prophet (or at least the son of a prophet). His analysis of education, government, culture, society, and the church has proved to be unusually prescient. One of the chief reasons for this is that Lewis understood the deep reality of narrative, of story, of progression and trajectory.
Joe Rigney has a great piece on the Trinity House website. With apologies to Joe, I’ll give it to you in a nutshell, then make some brief observations. But make sure you read the entire article.
“Picasso did not paint for the eyes but for the gut. He painted for the gut that the eyes might be opened.”
One only has to compare a portrait of Picasso’s wife to that of one his lovers to prove that his strange perspective on reality worked from the inside out. What we feel as we observe his works is what he feels about his subjects as he paints them. The spirit and desire which animate man and beast not only move flesh but, in Picasso’s world, distort reality. Time and history without fail reveal the true character of objects, people and ideologies. A Picasso is often the exterior of a person or event shaped or distorted by the spirit and emotion within. It is a history in a single frame, an X ray that discovers not the bones but the heart. Emotional reality is revealed in shape and color. In these cases, his subjects are possibly “ethical nudes.”
From Douglas Wilson’s Why Ministers Must Be Men:
Any discussion of women’s ordination will obviously revolve around the direct Pauline statements on the subject, and we will certainly spend the lion’s share of our space there. However, the Pauline instructions were not delivered in a vacuum and when he makes his appeals outside his immediate situation, he makes those appeals to the Old Testament, ground his appeals in both the history recorded there and the law given there.