The Wexford Carol
Thanks to Brian Nolder for this one.
More than thirty years after the release of their hit song, “Down Under,” (1978) Australian rock band Men at Work were hauled into court for ripping their flute riff from a nursery rhyme. The issue came up after discussion on a popular rock quiz TV show. [1]
Most Aussies of my generation knew the original (really uncool) song, and the use of it as a motif in a rock song was, well, really cool. The very fact that it didn’t have a big yellow sticker on it saying “This bit is from Kookaburra,” and the listener picked it up, was gratifying. All good music does this. All good movies do this. TV shows also use subtle allusions to past episodes as a nod to faithful viewers (and no show does it with the concrete-cracking understatement of Mad Men).
In this case of the flute riff, any dunderhead could pick it up. While I think that the current owners of the copyright, Larrikin Records, are a bunch of opportunistic bastards (and though they were once considered indie and cool, I guess they are now really uncool), it pains me that modern teachers of the Bible are too cautious to read the Scriptures in this way, too conservative to pick up the motifs, phrases and structural allusions that are obvious once they are pointed out. They are looking for the big yellow sticker, and it ain’t coming.
.
Rejoice, rejoice! Christ is born
Of the Virgin Mary — rejoice!
The time of grace has come—
This that we have desired,
Verses of joy
Let us devoutly return.
God has become man,
To the wonderment of Nature,
The world has been renewed
By the reigning Christ.
The closed gate of Ezechiel
Is passed through,
Whence the light is born,
Salvation is found.
Therefore let our gathering
Now sing in brightness
Let it give praise to the Lord:
Greeting to our King.

A reader wrote:
After spending about two weeks on Bible Matrix, I’ve found that my greatest challenge has been learning to think differently. Have you written anything on learning how to make the transition from thinking about the Bible as a specimen in a laboratory to thinking about the Bible as a work of art? I sense that to communicate this stuff to the average Joe (and even to take on this mode of thought as my own) it would be helpful to know how to explicitly go about making that transition. Or maybe you see that as part of the problem? This stuff is more caught than taught? Continue reading
“There is a curse on Mankind.
We may as well be resigned.
To let the devil, the devil
take the spirit of man.”
I first heard Jeff Wayne’s musical version of The War of the Worlds when I was 11. My brother and I and some cousins listened to it in a dark room. It was electric and terrifying. Hearing it again years later, the worldview behind the story is much more apparent. One song in particular lays it bare, The Spirit of Man.
My composer friend Walter Robins’ oratorio Breath of God: A Walk Through the Bible will be world premiered by Capitol Opera Harrisburg PA in May 2011 (visit www.capopera.com)
I love Walter’s music because it has an angular beauty, just like the Bible. It constantly hints through its structure that there is more going on than immediately meets the ear.
“It often seems to me that the night is much more
alive and richly colored than the day.”
—Vincent Van Gogh in a letter to his brother Theo in 1888
Last week I had the privilege of viewing seven Van Goghs, all in one room, including Starry Night Over the Rhone, the depth and texture of which has to be seen to be believed.
The impressionists went out of their way not to paint what they saw. They stretched and strained the norms to communicate how it made them feel. They were expounding—explaining—reality. As Jordan writes, made in the image of God, man is the only symbol which is also a symbol-maker. [1]
ChristKirk in Moscow, Idaho is plowing ahead with the hard work of congregational psalm singing. If this keeps catching on, walls will come tumbling down.
Continue reading
from Manifesto on Psalms and Hymns
by Douglas Wilson (Introduction to the Cantus Christi Hymnal)
A common practice in our day is for Christians to speak of the “culture wars.” By this they usually mean the political and cultural skirmishes between leftist secular thinking and the more moderate and traditional thinking of believers. But the problem is that the phrase “culture wars” is a particularly inept way to refer to this problem. Continue reading